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Birds Are Real & They Haunt Me

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Birds Are Real, & They Haunt Me is inspired by a recurring dawn disturbance that turned into glitchy ambient dub-techno. Birds were nesting in my AC unit, producing looping signals—chirps as pulses, echoes as structure —blurring nature and machine. What begins as noise becomes pattern, then presence. Migration becomes return. The system repeats. The signal holds. They are still here, and they still haunt me.

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BOBCAT ATTACK


🎹Synths +🥁Beats +📺Visuals = 🤠@nartan

Since the project’s inception, Bobcat Attack has continuously evolved in form, moving through ambient, dub, and techno without settling into any one shape for too long. It feels natural that the current habitat holds all of these modes at once, coursing through modular synths, elektron boxes, and drum machines. Beneath a glaze of drifting drones and cavernous reverb, sharp chord stabs and pulsing 909 kicks emerge, traces of dub and post-rock echoing through the circuitry.

Bobcat Attack operates like a subtle machinist, tending a quiet conveyor of sound, processing and reprocessing the same signals until they mutate. With each pass, something shifts. Patterns stretch, collapse, and regrow with new limbs. The music can pull your body into motion or dissolve you into its atmosphere, but either way, you’re inside it.

Alongside their sonic work, Bobcat Attack is a visual artist shaping live-concert visuals and graphic design. Those same sensibilities carry through into the design and music, loops treated like light, textures layered with a designer’s eye, motion unfolding in slow, deliberate frames. Whether projecting abstract forms behind a stage or building compositions on a screen, the same instinct applies: repetition as transformation, minimal elements pushed to the point of becoming immersive environments.

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Year of the Bobcat