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︎BOBCAT ATTACK
Year Of The Bobcat

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Year of the Bobcat is the first EP for electronic artist Bobcat Attack. This collection showcases the artistâs interest in combining dub, ambient, industrial, and IDM influences. The result is a pulsing combination of infectious electronica. Built using modular synthesizers, sequencers, and drum machines, Year of the Bobcat is a labor of love that glitches, breaks, and distorts at all the right moments. Bobcat Attack creates dense layers of electronics within his arrangements, and the effect is an ecosystem of sound that the listener can inhabit. Echoes of oscillators, saturated pads, and driving drums prove how effective a producer Bobcat Attack is. And this first release is a testament to the scope of his sound, as each track moves through a variety of environments, all emphasizing the rhythm and feel of the music

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BOBCAT ATTACK


🎹Synths +🥁Beats +📺Visuals = 🤠@nartan

Since the project’s inception, Bobcat Attack has continuously evolved in form, moving through ambient, dub, and techno without settling into any one shape for too long. It feels natural that the current habitat holds all of these modes at once, coursing through modular synths, elektron boxes, and drum machines. Beneath a glaze of drifting drones and cavernous reverb, sharp chord stabs and pulsing 909 kicks emerge, traces of dub and post-rock echoing through the circuitry.

Bobcat Attack operates like a subtle machinist, tending a quiet conveyor of sound, processing and reprocessing the same signals until they mutate. With each pass, something shifts. Patterns stretch, collapse, and regrow with new limbs. The music can pull your body into motion or dissolve you into its atmosphere, but either way, you’re inside it.

Alongside their sonic work, Bobcat Attack is a visual artist shaping live-concert visuals and graphic design. Those same sensibilities carry through into the design and music, loops treated like light, textures layered with a designer’s eye, motion unfolding in slow, deliberate frames. Whether projecting abstract forms behind a stage or building compositions on a screen, the same instinct applies: repetition as transformation, minimal elements pushed to the point of becoming immersive environments.

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Year of the Bobcat